ProQuest Subject Index - British and Irish literature at CLEMSON UNIVERSITY

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Everything stems from nothing	Carefully constructed pictures of nobodies: Shakespeare's and Cesaire's Ariels

Katherine Anne Porter's adaptation of Joycean paralysis in the "Pale Horse, Pale Rider" collection	Life and death in Joyce's "Dubliners"

Pictures, puzzles, and missing pieces: The childlike solution to trauma in the mature novel	Becoming earnest: Oscar Wilde refracted

"The fire and the rose are one": The coherence of the prophetic voice in the poetry of T. S. Eliot	Reversing the photograph in "Persepolis": Metafiction, Marxism, and the transcience of tradition

Psyche and history in Shelley and Freud	A charitable modernity: Milton and the democratic aesthetic

Living in (IM) material worlds: Modes of production and consumption in utopian literature	Goddess, king, and Grail: Aspects of sovereignty within the early medieval heroic tradition of the British Isles

"Age doth not wither nor custom stale my infinite variety": Surveying the evolution of Dr. John H. Watson through 70 years of "The Hound of the Baskervilles" on screen	'Finding gold in a gully': Nineteenth-century Australia in constructions of British domesticity from sensation fiction to realism

"Shored against the ruins": Edifying Romantic and Modernist thought	Zadie Smith's Aesthetics

Erasure of the individual sovereign: The vulnerability of public and gendered identity in Marlowe, Webster, and Cary	I laughed until I cried: The tradicomedy of Harold Pinter's The Homecoming

Stranger of the house: The evolution of Sensation's New Man