ProQuest Subject Index - Theater at CITY UNIVERSITY OF NEW YORK

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You are viewing titles for CITY UNIVERSITY OF NEW YORK in the Theater available through the UMI Dissertations & Thesis Gradwoorks site

The paradoxes of intimacy in early modern drama	La problematique du jeu et son architecture dans le theatre de Lesage

Theology, Trauerspiel, and the conceptual foundations of early German opera	The emergence of Danish national opera, 1779--1846

Human/nature: Eco-theatre politics and performance	The pay's the thing: Intellectual property and the political economy of contemporary American theatrical production

The plays of Ricardo Monti and the production of space	Before art: The fusion of religion, sexuality, and aesthetics in agrarian Mesopotamia

Staging alterity: The ethics of performing difference(s)	Nuyoriquenas in the house: Performing identity through hip hop, poetry, and theatre

Crowd pleasing moves: Acting technique, social performance, and the popularization of the Nineteenth Century American theatre	The powerful voice of women dramatists in the Arab American Theatre movement

"The wounds become him": Sacrifice, honor and the hazard of much blood in Shakespeare's Roman plays	Performing the "ben comune": The political functions of performance in the Republic of Siena (1260--1555)

Race and Realism in Edward Harrigan's Mulligan Guards series	A quest beyond enlightenment: Buddhism as counter-enlightenment and modernity's other being in the practices of Antonin Artaud, John Cage, Tatsumi Hijikata, Kazuo Ohno, and Xingjian Gao

Religiously based morality in the theatre of Alexander Ostrovsky	The Lost Apple plays: Performing Operation Pedro Pan

The seventeenth-century singer's body: An instrument of action	Carmen Rivera: Theatre of latinidad

Sensation, spectacle, and reform in the mid-nineteenth-century American theatre	Theater without words: Music for movement theater by Bartok and Milhaud. Maramures, for solo viola and orchestra

Staging fat: Dramaturgy, female bodies, and contemporary American culture	The foundations of American regional theatre

Synesthetic landscapes in Harold Pinter's theatre: A symbolist legacy	"A spectacle to the world": The performance of Christian virgins and monks in late antiquity

Madness, sexuality, and gender in early twentieth century music theater works: Four interpretive essays	Staging the "Volk": Nazi policy and the reality of theatrical production in three Berlin theatres, 1933--1944

Inheritors of progress: Glaspell, the university, and liberal culture in the United States	The roots of American improvisation: Play, process, and pedagogy

Rhythmic juggling: Tracing the disembodied voice of Richard Foreman's Ontological-Hysteric productions, 1968--2009	An analytical study of Bizet's "Carmen": melody, text setting, harmony, and form