ProQuest Subject Index - Music at CITY UNIVERSITY OF NEW YORK

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You are viewing titles for CITY UNIVERSITY OF NEW YORK in the Music available through the UMI Dissertations & Thesis Gradwoorks site

An exploration of some non-tonal pitch-class spaces with implications for a theory of voice leading	The horn parts in Handel's operas and oratorios and the horn players who performed in these works

Theology, Trauerspiel, and the conceptual foundations of early German opera	Sonata form in Ravel's pre-war chamber music

Pop standards: Music and commerce in the age of rock	Brandenburg Concerto No. 6 in B-flat major by Johann Sebastian Bach: A new arrangement transcribed for two pianos

Svadobne noty: Ceremonial wedding tunes in the context of Slovak traditional culture	Twelve-tone writing in the piano music of Ben Weber (1916--1979)

Rhythm as form: Rhythmic hierarchy in later twentieth-century piano music	The emergence of Danish national opera, 1779--1846

Violin Concerto in D by Tyzen Hsiao---the first violin concerto by a Taiwanese composer	Selected piano music for children after 1940: An annotated catalogue of music scores

The late keyboard rondos of Carl Philipp Emanuel Bach: Issues of genre, form, and voice leading	The musical frameworks of five blues schemes

The "Thirty Caprices" of Sigfrid Karg-Elert: A comprehensive study	"Variations on Two Rows for Percussion and Strings" by Eleazar de Carvalho: A critical edition and study

"Le istitutioni harmoniche" of Gioseffo Zarlino, Part 1: A translation with introduction	The pedagogy of Yuri Yankelevich and the Moscow Violin School, including a translation of Yankelevich's article "On the Initial Positioning of the Violinist"

A transformational approach to inversional relations	Music, sin, and redemption in Victorian visual culture and literature

"A kind of construction in light and shade": An analytical dialogue with recording studio aesthetics in two songs by Led Zeppelin	The Senator National Cultural Extravaganza of Uganda: A branded African traditional music competition

Class, culture, or both: Assessing consumption patterns within music and technology	Pitch-class multisets

The seventeenth-century singer's body: An instrument of action	Music for the (American) people: The concerts at Lewisohn Stadium, 1922-1964

Worthy of the light: Feminine heroism in "Die Zauberflote"	Analytical fragments concerning Gyorgy Kurtag's "...concertante..." opus 42

Diasporic jeliya in New York: A study of Mande griot repertoire and performance practice	Richard Strauss's violin writing in his early years from 1870 to 1898---The influence of the violin sonata

Western music in Japan: The evolution of styles in children's songs, hip-hop, and other genres	Composing with circles, spirals, and lines of fifths: Harmony and voice leading in the works of Nicolai Roslavets

Contextual transformations in timbral spaces	Music and national identity: A study of cello works by Taiwanese composers

Theater without words: Music for movement theater by Bartok and Milhaud. Maramures, for solo viola and orchestra	Matyas Seiber's twelve-tone technique

Liszt's "Mazeppa": Examining a composer's conception through his orchestration	Pannalal Ghosh and the bansuri in the twentieth century

Formal processes in post-tonal music: A study of selected works by Babbitt, Stockhausen, and Carter	Madness, sexuality, and gender in early twentieth century music theater works: Four interpretive essays

The piano works of Pall Isolfsson (1893--1974) A diverse collection	Salsa and everyday life: Music and community

His Jelly Roll Soul: Revising and reclaiming the past, the minstrel mask, and the communal blast in Charles Mingus's Jazz Workshop	Ruggero Leoncavallo in New York and other American cities: 1906 and 1913

Anton Rubinstein's four piano sonatas	A survey of David Rakowski's piano Etudes

A study and reconstruction of "The Passing Show of 1914": The American musical revue and its development in the early twentieth century	Focal dystonia in pianists: The role of musical institutions

A Hidden Theology: Pitch Association and Symbolism in Olivier Messiaen's "Meditations sur le Mystere de la Sainte Trinite"	Eastern and Western Concepts in Two Taiwanese Contemporary Works for Clarinet

The Bernard Ouchard Bow-Making School in Mirecourt, France, from 1971 to 1981	The art songs of Tom Cipullo

John Field's piano sonatas Op. 1, Nos. 1--3	Julius Klengel (1859---1933) and Hugo Becker (1864---1941): Their works and legacies as violoncello performers and pedagogues

Cadenzas written for the Brahms violin concerto: Interpretation and technical commentary	Rewriting the past, composing the future: Schumann and the rediscovery of Bach

The Interaction of Korean and Western Practices in Isang Yun's "Piri" for oboe solo and Other Works	The triple oboe concerto by Theodor von Schacht (1748--1823): A critical edition with notes on performance practice, an analysis based on the theories of Heinrich Christoph Koch, and an account of the musical establishment at the court of Thurn und Taxis

Franz Joseph Rosinack (1748--1823) A Bohemian oboist and music arranger at the Furstenberg Hofkapelle	Interpersonal rhythms disrupted by a history of trauma: An in-depth case study of analytical music therapy

Johann Nepomuk Hummel's Piano Etudes, Op. 125: A pedagogical analysis	Hairy drums, live sampling: Ethos Percussion Group commissions of 2004 and their "extra-conservatory" elements

The cross-cultural influence of the formation and evolution of piano pedagogy at the Shanghai Conservatory of Music	Aspects of adaptation in the Egyptian singing film

A History of the NewYork Flute Club	Voice leading in the music of George Perle

An analytical study of Bizet's "Carmen": melody, text setting, harmony, and form	Producing Incantations: Salvatore Sciarrino's Works for Flute

A history of the performance practice of Mozart's Fantasie and Sonata K. 475/457	Images of Chopin in the new world: Performances of Chopin's music in New York City, 1839--1876

The metaphysics of improvisation	Harmony, form, and voice leading in the mature works of Antonin Dvorak

Performed Identities: Theorizing in New York City's Improvised Music Scene	Sevcik's Analytics of Works By Mendelssohn and Bazzini: A Pedagogical Analysis

Polymetric layering and tonal language in the piano etudes of Gyorgy Ligeti	Free from jazz: The jazz and improvised music scene in Vienna after Ossiach (1971-2011)

The New York Chamber Music Society, 1915--1937: A Contribution to Wind Chamber Music and a Reflection of Concert Life in New York City in the Early 20th Century	Multiple agency in Mozart's music