ProQuest Subject Index - Art history at CITY UNIVERSITY OF NEW YORK

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Philosophies of confrontation: Aesthetic and political vanguardism, 1917--1956	Airport age: Architecture and modernity in America

Manufacturing gemeinschaft: Architecture, tradition, and the sociology of community in Germany, 1890--1920	Maori art in America: The display and collection history of Maori art in the United States, 1802--2006

The sacred as everyday: Food and ritual in Aztec art	Constructing a beloved community: The methodological development of Tim Rollins and K.O.S.

"Pre-Columbian revival": Defining and exploring a U.S. architectural style, 1910--1940	The sacred revealed: An iconographic study of the Berndt Collection of Arnhem Land bark paintings at the American Museum of Natural History

Portraying the Mexica past: A comparison of sixteenth-century pictorial accounts of origin in Codex Azcatitlan, Codex Boturini, and Codex Aubin	Estrangement and politicization: Bertolt Brecht and American art, 1967--1979

John Graham and the quest for an American Art in the 1920s and 1930s	Dirty art: Reconsidering the work of Robert Rauschenberg, Bruce Conner, Jay DeFeo, and Edward Kienholz

Laughter and cultural pessimism: The joke in West German art, 1974--1989	Loza poblana: The emergence of a Mexican ceramic tradition

Conflicted nationalism and World War I in Belgium: Memory and museum design	Manifesting masculinities in Central Italian Renaissance art: Artistic theory and representations of the male body

Transcendentalism and the crisis of self in American art and culture, 1830--1930	The Berlin Wall and the urban space and experience of East and West Berlin, 1961--1989

An ornament and a promise: Discourses on culture in nineteenth-century America	The pictorial figure in the work of Severo Sarduy

Awakening the spiritual: James Turrell and Quaker practice	The figure reemerging: Jackson Pollock's Cut-Outs, 1948--1956

"La nouvelle artemise": Catherine de' Medici as queen of France and patron of the arts	Stone trees transplanted? Central Mexican stelae of the Epiclassic and Early Postclassic and the question of Maya "influence"

Shifting identities: Contemporary photography in Mali	The legacy of Constructivism in Poland: Geometric abstraction before and behind the Iron Curtain

Improving the public: Cultural and typological change in nineteenth-century libraries	Donald Judd's furniture, from do-it-yourself to the art of lifestyle

Music, sin, and redemption in Victorian visual culture and literature	The golden age of French academic painting in America, 1867--1893

The church and convento of Santo Domingo Yanhuitlan, Oaxaca: Art, politics, and religion in a Mixtec village, sixteenth through eighteenth centuries	The Lost Apple plays: Performing Operation Pedro Pan

Painting in the poetry of Luis de Gongora	Unfamiliar streets: The photographs of Richard Avedon, Charles Moore, Martha Rosler, and Philip-Lorca Dicorcia

Angels in the Americas: Paintings of apocryphal angels in Spain and its American viceroyalties	Paradigms for freedom: Hale Woodruff, the New Negro agenda and landscape

Modern time: Photography and temporality	Arte povera in Turin 1967--1978: Contextualizing artistic strategies during the Anni di Piombo

Painterly representation in New York, 1945--1975	Like turtles, islands float away: Emergent distinctions in the zoomorphic iconography of Saladoid ceramics of the Lesser Antilles, 250 BCE to 650 CE

Antoine Claudet, a figure of photography, 1839--1867	Respecting hair: The culture and representation of American women's hairstyles, 1865--90

John Ferren and the development of abstraction	Female Book Owners in the Valois Courts, 1350--1550: Devotional Manuscripts as Vehicles for Self-Definition

Critical positions in recent South African photography	Photography as process: A study of the Japanese photography journal "Provoke"

Sunappu: A Genre of Japanese Photography, 1930--1980	Francis Picabia and the problem of nihilism

The Museum of Modern Art's "What Is Modern?" Series, 1938--1969	Weighing the body: Female body image in contemporary art

The Rat Bastard Protective Association: Bruce Conner and his San Francisco cohort, 1958--1968	Paris---Vienna: Modern Art Markets and the Transmission of Culture, 1873--1937