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You are viewing titles for CALIFORNIA STATE UNIVERSITY LONG BEACH in the Music available through the UMI Dissertations & Thesis Gradwoorks site
 
Music therapy hospice program for Silverado Foundation: A grant writing project
 Bata drumming of the Oru Seco: Its tradition, and adaptability for drum set
 
College-bound tuba players: What they should know and how to get there
 "Hesby Street": A multi-level analysis
 
The effect of instrumental proficiency on jazz vocal improvisation
 Performance considerations for Philippe Gaubert's "Madrigal"
 
The jazz fusion of Freddie Hubbard and CTI records: An analysis of the collaborations between Freddie Hubbard and Creed Taylor
 Tresillo: A rhythmic framework connecting differing rhythmic styles
 
Virtuoso piano transcriptions of Stephen Hough and Marc-Andre Hamelin: Lisztian tradition in the twenty-first century
 From beginning to end: Preparations needed to perform Stravinsky's Octet
 
The effect of an "informance" on a middle school student population's understanding of musical terms using Leonard Bernstein's "Young People's Concerts" as a model
 A violinist in a non-classical world: Sugizo's use of violin in popular music
 
Louis Moreau Gottschalk's assimilation of African American elements in "Souvenir de Porto Rico"
 Divertimento for Band, Opus 42 by Vincent Persichetti: An analysis of musical energies and interpretive strategies for the conductor
 
Speech-language pathology and the singing voice: Implications for clinician training and suggestions for assessment and intervention
 Ferdinand Ries and the concerted fantasy
 
Aaron Copland's "Twelve Poems of Emily Dickinson"
 "Treemonisha": A historical and character analysis
 
"Symphony Northwest": New music and youth orchestras
 The performing practice of preluding: Johann Nepomuk Hummel's twenty-four Preludes for piano, Op. 67
 
From fear to freedom: Overcoming obstacles and living truthfully in a role
 The thayer valve and its effect on a generation and beyond
 
Preparing instrumental teachers: A resource for volunteer, lay music teachers in Salvation Army churches
 "Serenade to Music," by Ralph Vaughan Williams: The soloists
 
The creative and technical differences in composing an electric guitar concerto and classical guitar concerto
 Schubert's 1826--1827 strophic songs: Innovations in musical coherence within a folk setting
 
"Sonata for Solo Violoncello" by George Crumb: A performance history
 Madeleine Dring's "Three Piece Suite"
 
A method for teaching jazz improvisation to beginning pianists in a group setting
 The music of Michael Hedges and the re-invention of acoustic fingerstyle guitar
 
Thirty years of postminimalism: Elements and growth
 Text setting and pictorialization in Samuel Barber's "Hermit Songs", Op. 29: A marriage of music and word
 
William Kraft's "Concerto for Timpani and Orchestra": The history, creation, and performance
 The attitudes and interests of adolescent middle school youth regarding traditional music instruction
 
Steve Moshier's "Shadows from the Underworld": A piano work that reflects a post-minimalist sensibility
 An exploration of transgender indentity and jazz: The liberation of Jennifer Leitham
 
African folk drum-ensemble works adapted for solo drum set
 Contemporary jazz arranging techniques: A study in time, orchestration, and style
 
The Jazz taxonomy
 The new traditionalists: Folk music, authenticity and modernity in Cold War America, 1958-1962
 
Social alienation and political subversion: Anti-Judaism in medieval Spanish music
 An analysis of Freddie Hubbard's early improvisational style: The Jazz Messenger years
 
Females teaching high school male singers: Overcoming vocal differences
 "Spirit of America": Socio-cultural and gender issues in early Beach Boys songs
 
Commercial jazz trumpet style: A comparison of leading trumpeters Freddie Hubbard and Roy Hargrove
 Power and display in the court music of Augustus the Strong: The influences affecting the composition of Johann David Heinichens's sinfonias
 
The Long Beach codex: An unexamined Italian Dominican missal from the fifteenth century
 A re-contextualization of the organ works of Maurice Durufle: The case of the Prelude from the Suite, Op. 5, and "Meditation"
 
Aaron Copland's "Quiet City": From the theater stage to the concert hall
 "Foggy Sounds" for large ensemble: A study of how timbre affects structure
 
The musical compositions of Queen Liliuokalani of Hawaii (1838--1917) as found in the Bernice P. Bishop Museum Library Archives
 A pedagogical approach to jazz singing that incorporates instrumental techniques
 
Interpreting Lovregio's fantasia on "La Traviata": Performance and score analysis
 The visibility of music
 
Hubris, narcissism, and the flute: Bariller's "Le Martyre de Marsyas" and Musgrave's "Narcissus"
 Hindemith's Sonata for Viola, ope 11, no.4 A compositional and historical perspective
 
Dividing spaces: A historical, philosophical, and theoretical approach to incommensurable interval ratios
 Wagner domesticated, Wagner democratized: The parlor reception of Musikdrama
 
Carl Czerny: An underappreciated piano composer and his Variations Brillantes, opus 14
 Pianists and Bach: A Performance proposal for the Fourth Prelude and Fugue from "The Well-Tempered Clavier," book I
 
Abstraction, recursive meta-structures, and collage as a compositional method for deconstructed source material
 A transcendental approach to John Coltrane: applying concepts of spirituality to Giant Steps into the Cosmos
 
Transitioning to the oboe: Methods and resources to assist in switching to the oboe from other woodwind instruments
 Updating "La voix humaine": Authenticity and accessibility
 
Guide to improvisation for Mozart's serenade in Bb Major, K. 361, the "Gran Partita"
"Fitter happier": The psychological effects of fame on the creative process
 
Eugene Ysaye, legacy of a violinist
 Capitalism and spirituality: Authentic marketing and manufacturing of hand drums through drum circle entrainment