This dissertation investigates the figure of the revolutionary in the Hindi novel by establishing its lineage in the literary tradition of the Bengali novel from the eighteen eighties to the nineteen twenties, as well as its lineage in the historical world of the nineteen twenties in the debate between Gandhi and the several revolutionaries who were hanged by colonial authorities. The usefulness of the Hindi novels of the nineteen thirties to the nineteen fifties is that they served as the primary site for an elaborated introspection of the aims and motivations of the revolutionaries. The novel-form yields a diversity of responses to the meaning of revolutionary action. Each of the three Hindi novelists discussed has a singular perspective. Jainendra uses the interruption of the apathetic middle-class household by the revolutionary to probe the unexpected opening of political as well as sexual desire. Agyeya uses the imminence of punitive death by the colonial authorities as an occasion for an extended meditation on the entirety of the subjective forces that shaped the revolutionary's brief life. Yashpal uses the revolutionary figure to demonstrate a variety of evolving political thought in the interwar years, especially the relation of older forms of anti-colonialism predicated on the simple experience of injustice to the new, unabsorbed, mutating ideas of international socialism. All three novelists extended the bare political ideal of anti-colonial revolution into new domains of heterosexual desire and modes of subjectivation, thus facilitating the cross-fertilization of the novelistic form between, on the one hand, conventional social realism and on the other hand, the many emergent and experimental modernist forms.