Developing a pedagogy for gospel singing: Understanding the cultural aesthetics and performance components of a vocal performance in gospel music
by Robinson-Martin, Trineice Murlene, Ed.D., TEACHERS COLLEGE, COLUMBIA UNIVERSITY, 2010, 246 pages; 3424907

Abstract:

The purpose of this curriculum project was to develop a gospel vocal pedagogy handbook for teachers of gospel music and contemporary commercial music (CCM) (non-classical) styles. The handbook is intended to be a pedagogic resource which describes the cultural aesthetics of gospel music performance and identifies the components that should comprise a pedagogy for gospel singing.

Gospel music is traditionally and primarily taught orally (i.e., through imitation, participation, and constant exposure to the gospel music culture). While this process of learning is imperative if one aims to achieve a culturally-viable performance of gospel music, most vocal instructors do recognize that imitation without guidance can potentially lead to damage of the novice singer's instrument, both musically and physiologically.

Many pedagogic resources address techniques for developing standard vocal production, but only a small number of available resources address the types of vocal qualities found in CCM styles. Pedagogy resources that specifically address the needs of a gospel singer are even less available. To fill this need, this pedagogy handbook was developed and aims to: (1) describe the appropriate vocal techniques for gospel singing; (2) present the cultural aesthetics of gospel singing specifically for the sake of pedagogy; and (3) give pedagogical examples of how to combine vocal techniques with common stylistic traits found in gospel music performance.

Developmental in nature, this handbook was constructed through a systematic process that consisted of: (1) content resulting from scholarly research on topics of vocal pedagogy, gospel music history, and gospel performance aesthetics; (2) a formative evaluation by an expert panel of two gospel experts and two CCM vocal pedagogy experts, who provided feedback that contributed toward the improvement and further development of this handbook; and (3) a summative evaluation by 14 voice-related practitioners whose feedback helped to evaluate the handbook's effectiveness in real-world situations.

 
AdviserJeanne Goffi-Fynn
SchoolTEACHERS COLLEGE, COLUMBIA UNIVERSITY
SourceDAI/A 71-10, p. , Oct 2010
Source TypeDissertation
SubjectsPedagogy; Performing arts education; Music education
Publication Number3424907
Adobe PDF Access the complete dissertation:
 

» Find an electronic copy at your library.
  Use the link below to access a full citation record of this graduate work:
  http://gateway.proquest.com/openurl%3furl_ver=Z39.88-2004%26res_dat=xri:pqdiss%26rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation%26rft_dat=xri:pqdiss:3424907
  If your library subscribes to the ProQuest Dissertations & Theses (PQDT) database, you may be entitled to a free electronic version of this graduate work. If not, you will have the option to purchase one, and access a 24 page preview for free (if available).

About ProQuest Dissertations & Theses
With over 2.3 million records, the ProQuest Dissertations & Theses (PQDT) database is the most comprehensive collection of dissertations and theses in the world. It is the database of record for graduate research.

The database includes citations of graduate works ranging from the first U.S. dissertation, accepted in 1861, to those accepted as recently as last semester. Of the 2.3 million graduate works included in the database, ProQuest offers more than 1.9 million in full text formats. Of those, over 860,000 are available in PDF format. More than 60,000 dissertations and theses are added to the database each year.

If you have questions, please feel free to visit the ProQuest Web site - http://www.proquest.com - or call ProQuest Hotline Customer Support at 1-800-521-3042.