Perspectives on the symbiosis of traditional and modernist techniques in four violin compositions by Sergei Prokofiev
by Kim, Sooyoung, D.M.A., UNIVERSITY OF CINCINNATI, 2010, 79 pages; 3419974

Abstract:

This document examines four violin compositions by Sergei Prokofiev (1891–1953): his Five Melodies for Violin and Piano, Op. 35bis (1925), Sonata for Two Violins in C Major, Op. 56 (1932), Sonata for Violin and Piano No. 2 in D Major, Op. 94bis (1943), and Sonata for Solo Violin, Op. 115 (1947). Although each work features unique attributes and distinctive timbral qualities, this study demonstrates that these four violin compositions share the underlying concept of stylistic symbiosis, precisely the blending of traditional and modernist techniques. From this perspective, a comparative study of these four violin compositions contributes to our understanding of how Prokofiev’s neo-classical approach to composition—so pronounced in his large-scale works—operates in the intimate arena of his chamber music.

 
AdviserBruce D. Mcclung
SchoolUNIVERSITY OF CINCINNATI
SourceDAI/A 71-10, p. , Oct 2010
Source TypeDissertation
SubjectsMusic; Performing arts
Publication Number3419974
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