Most Americans remember the outcome of the presidential election on November 2^nd, 2008, and the intense media coverage of the entire campaign. Just three nights before Election Day, the Barack Obama campaign purchased primetime air slots on seven major broadcast and cable stations across the country to air a 30-minute “infomercial” entitled American Stories: American Solutions. This thesis looks at this television program with a specific focus not on the verbal message of American Stories: American Solutions, but on how this message is framed through cinematography. The thesis first explores research in the fields of rhetoric, film, politics, and race, then using the method of compositional interpretation, outlines what visual arguments are presented through cinematography. Using a formalist approach, Chapter 3 describes how camera movements, framing, and other technical aspects of cinematography organize the rhetorical object of the film in order to make it more persuasive. Chapter 4 emphasizes the rhetorical and ideological aspects of this analysis in addressing how cinematography makes a visual argument in the form of a refutative enthymeme regarding Obama’s race.